Iris Ralph in her article “An Animal Studies and Ecocritical Reading of Sir Gawain and the Green Knight" raises an interesting comparison between the fox and Bertilak, which should not be ignored or subverted for the primary association of the hunted animal with the “hunted” Sir Gawain. While her attention to the poet’s emphasis on themes of honesty and deceit is significant, especially in the way she connects it to Bertilak, overall I find her argument to be flawed. Ralph promotes a critical shift in scholarly focus on animals within medieval texts. Rather than reading into animals as allegories or tropes for human beings and their (lesser) traits (432), an approach she finds both overly simplistic and reductive, scholars should be investigating animals within the reciprocal relationships they share with the other human characters. With regards to the fox, and animal Ralph thoroughly supports as both tricked and abused within the text given that it is only being hunted for the pleasure of killing for a trophy, Ralph appears to take a strong stance against traditional views which read such an animal as “an allegory for the human, particularly an allegory for the human failings of ‘slyness,’ ‘deceit,’ and ‘fraudulence’" (434). Yet, even as she is arguing for treating animals within texts on their own merits and with their own agency as “Actual animals” with “actual relations between humans” and their environment (434), she proceeds to make associations with the characters that mirror the type of analogous comparisons she is arguing against. For example, she notes how the fox in both its appearance and behavioral slyness, or deceitfulness, connects not only to Gawain, but also to Bertilak, if not more so, given how he deceives Gawain by tricking him into the game where they exchange their winnings and the overall beheading game since he is in fact the Greek Knight, as well as the fox and other animals in hunting them for pleasure (437). However, in stating that the “bushy red-bearded crafty Bertilak of Hautdesert . . . evokes the figural fox” (438), is she not simply reversing the analogous comparison—instead of the fox that evokes the human character failings (craftiness and deceit), it is the human character that evokes the fox? The assumption informing such a comparison indicates that foxes, both literary and real ones, are by nature sly and deceitful—and I’m not sure this statement can really be made without first extending metaphorical associations of human emotions, actions, and intentions to the animal, real or otherwise. Furthermore, by creating any comparison between the animals Ralph returns to the analogizing framework. Finally, Ralph's arguments would benefit from using more primary sources to support her claims involving the poet’s likely knowledge of and sympathy for “the many secular acts, bills, charters, ordinances, statutes, and other orders issuing from parliament or the crown in the fourteenth century that prohibited or curbed acts of cruelty to animals” (437). While on the surface this seems like striking evidence for the time period, Ralph fails to specifically identify or really discuss, by providing citations and analysis of the original documents, of any of the texts generally mentioned above. Overall, I found the article lacking evidentiary support and the assumptions a bit too overreaching in their assertion of animal sympathy for the time period.
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This article struck me as not making sense in the fact that we are speaking towards an agency of an entity that does not represent any agency. Though I would agree that sympathy for an animal, outside of literature, should be valued. The use of any kind of individual within a story is not a actual representation of actual life. A fox inside a story does not have agency because it was not written to have one, but the author of the article would not have it the other way either. If an author gives agency to an animal then it can only serve as an allusion to a human trait, because the author is human themselves. When a fox decides to write a novel and relate how a fox would view the world and their own agency then we can, as readers, finally be able to know what the fox has to say.